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 I saw this wonderful illustration in the gallery at the
art college where I teach. What struck me first was the mood. The glow of
the moon. The warmth of the fire in the chimney. The crispness from the
suggestion of snow in the air.
The details draw you
in further. The halo on the bird. The mystery in the small window above
the “y.” The sureness of the swift’s flight. The artist, Kelly Murphy,
says, “Swifts are spectacularly fast and acrobatic performers. They spend
much of their lives on the wing, catching insects and thin twigs for
nesting materials.”
I say, “I love this image and the feelings it
invokes at this time of year.” The darkness encroaching on our space.
Knowing that angels — in the form of swifts — inhabit our night skies. A
perfect embodiment to the harvest wishes I want to send
you.
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Images for your marketing
materials convey similar messages. When considering the right visual for a
company newsletter, brochure or Web page, keep in mind the following
factors:
- Humor.
For a company that installs
vegetable gardens, I used an illustration of a giant tomato dominating
the neatly plowed fields seen in the background — highlighting the fact
that the main benefit was…big tomatoes.
- Mood.
A
company that set up schools for the children of employees at companies
with branches overseas needed a new brochure. I developed a series of
collaged photos showing academics (globes, kids studying, mathematical
formulas), extra curricula activities (sports, art, music), and cultural
elements (icons from different countries around the world). The photo
collage illustrated the wonderful educational experience this company
gives its employees’ children.
- Drama.
Drama is good to use when you want your marketing
communications pieces to stand apart from other advertising.
For example, in a client
newsletter the author talked about writing from the “you” perspective
and had titled the article, “What’s in it for me?”
I wanted to use a mirror
as a visual. When the reader looked at it, they would see their own
reflection and make a personal connection with the title. Knowing I
couldn’t do that in a one-color publication, I looked for images that
showed or suggested a mirror. I used a “Picassoesque” illustration,
where the “figure” looked like it was scratching its head, perplexed.
Best of all, the figure was flipped and shown in mirror image as well,
suggesting that they were working doubly hard to figure out what was in
it for them. The image lent an unexpected and dramatic emphasis to an
otherwise routine one-color publication.
Evaluate your visuals with the same critical “eye” as you
do your copy. Make sure the humor, mood and drama of the images support
and reinforce your message.
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Here’s hoping you enjoy everything this season has to
offer.
Happy October,
Linda E.

To
see how Enrico Design uses illustration, photography and the right words
to get your message to your target audience with impact and memorability,
visit us at http://www.enricodesign.com/, call
us at 781-631-2520 or contact us by e-mail. We’ll be happy to discuss your
next project and make sure your company makes a lasting impression.
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